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Completed only two months before his death, The Brothers Karamazov is Dostoyevsky's largest, most expanisve, most life-embracing work. Filled with human passions — lust, greed, love, jealousy, sorrow and humor — the book is also infused with moral issues and the issue of collective guilt. As in many of Dostoyevsky's novels, the plot centers on a murder. Sucked into the crime's vortex are three brothers: Dmitri, a young officer utterly unrestrained in love, hatred, jealousy, and generosity; Ivan, an intellectual capable of delivering, impromptu, the most brilliant, lively, and unforgettable disquisitions about good and evil, God, and the devil; and Alyosha, the youngest brother, preternaturally patient, good, and loving.
Part mystery, part profound philosophical and theological debate, The Brothers Karamazov pulls the reader in on many different levels. As the Introduction says, "The characters Dostoyevsky writes about, though they may not appear to be ones who live on our street, or even on any street, seem, in their passions and lack of self-control, the familiar and intimate denizens of our souls." It's no wonder that for many people The Brothers Karamazov is one of the greatest novels ever written.
- Sales Rank: #26179 in Books
- Brand: Dostoyevsky, Fyodor/ Garnett, Constance Black (TRN)/ Garnett, Constance Black
- Published on: 2005-08-23
- Released on: 2005-08-23
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x 1.75" l, 1.19 pounds
- Binding: Paperback
- 736 pages
Review
“[Dostoevsky is] at once the most literary and compulsively readable of novelists we continue to regard as great . . . The Brothers Karamazov stands as the culmination of his art–his last, longest, richest, and most capacious book. [This] scrupulous rendition can only be welcomed. It returns us to a work we thought we knew, subtly altered and so made new again.” –Washington Post Book World
“A miracle . . . Every page of the new Karamazov is a permanent standard, and an inspiration.” –The Times (London)
“One finally gets the musical whole of Dostoevsky’s original.” –New York Times Book Review
“Absolutely faithful . . . Fulfills in remarkable measure most of the criteria for an ideal translation . . . The stylistic accuracy and versatility of registers used . . . bring out the richness and depth of the original in a way similar to a faithful and sensitive restoration of a painting.” –The Independent
“It may well be that Dostoevsky’s [world], with all its resourceful energies of life and language, is only now–and through the medium of [this] new translation–beginning to come home to the English-speaking reader.” –New York Review of Books
“Heartily recommended to any reader who wishes to come as close to Dostoevsky’s Russian as it is possible.” –Joseph Frank, Princeton University
With an Introduction by Malcolm V. Jones
Language Notes
Text: English, Russian (translation)
From the Inside Flap
The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries.
"The Brothers Karamazov stands as the culmination of Dostoevsky's art--his last, longest, richest, and most capacious book," said The Washington Post Book World.
"Nothing is outside Dostoevsky's province," observed Virginia Woolf. "Out of Shakespeare there is no more exciting reading."
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, andtype, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
Most helpful customer reviews
64 of 70 people found the following review helpful.
If you're looking for the 2nd Norton Edition, with new translation
By Rock Sedan
I just want to alert readers: This page is for the Second Norton Critical Edition, which is a new translation. However, *all* of the comments and reviews below are for other translations and editions, and the "Look Inside" feature shows a completely different translation and edition.
Just so you know.
Amazon: Get with it, guys. I was wondering when you were going to get so big you could not handle the simple stuff. Here you go.
2 of 2 people found the following review helpful.
This is very poor quality for a hardcover.
By Robert
We know the text is gold, what I review is the quality of this volume which cost $20 at the time of this writing. The size is good for holding in your hands at night. The paper and binding are cheap and of dubious permanency; the worst feature being the pages which are distractingly transparent so as to obscure the words when not flush with the page behind, and even then the text of the next page can be seen.
This is very poor quality for a hardcover.
0 of 0 people found the following review helpful.
The Brothers Karamazov is one of the greatest novels ever written
By Sylvia Speredes
The Brothers Karamazov is one of the greatest novels ever written. Creating unique, believable characters, Dostoevsky explores three major world views: Ivan, the intellectual atheist; Dimetri, the sensualist, and Alyosha, the Christian believer. Yet, each of these "types" exhibit moments of the other world views. The author portrays these world views in the matrix of Mother Russia. A murder mystery is the framework for revealing and solidifying the natures of each of these characters, but there are many other unforgettable characters in the Russia of the latter 19th century, as depicted here. Who could have birthed "the Grand Inquisitor" argument better, as the atheist's credo? A marvelous, devastating exposure of human nature!
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